About Us

Desert Quill Quartet is a unique performer-composer collective featuring violin, viola, double bass, clarinet, and voices.

Dan Gonzalez (clarinet), Yvette Holzwarth (violin), Patrick Behnke (clarinet), and Ben Finley (double bass) are four performer-composers from diverse geographical and music backgrounds who co-founded Desert Quill Quartet in 2014. Their instrumentation opens an unplaceable and rich acoustic sonic palette—welcoming in improvisatory soundscapes, kinetic grooves, and personal/place-based compositions. Through multi-disciplinary collaborations, recordings, and live performances, you will hear cued in-the-moment sonic transformations that invite ears of all kinds into worlds that are playful, warm, expansive and deeply communicative. The Desert Quill Quartet—whether moving sound and space with dancers, soundtracking stop animations, or playing on mountain tops, in basements or in concert halls—sparks a fresh and a joyfully far-reaching ethos to contemporary music making and human connection. 


Dan Gonzalez, clarinet

Dan González (Clarinet)

Dan González Hernandez is a Performer, Composer, Improviser and Sound Artist originally from Mexico City. His art making explores the borders between popular and academic music, influenced by styles such as Mexican folk music, jazz, chamber music and electronic music, using improvisation as fundamental element. He holds a Bachelor Degree from the Music Studies and Research Centre (CIEM) and a Masters Degree in Composition and Performance from the California Institute for the Arts CalArts. Among his teachers are Enrico Chapela, David Roitstein, María Antonieta Lozano, Paul Novros, Phil O’connor, Ismael Sanchez and Bill Powell among others. His music has been performed in festivals such as the XLIII “Festival Internacional Cervantino”, “Festival de Tradiciones de Vida y Muerte Xcaret 2011”, XXXIV and XXXV “Manuel Enriquez Contemporary Music Forum” (FIMNME) and “Festival Sonosintesis 2016”. In 2017, he was part of ALUNA, a multidisciplinary installation that obtained the Honoraria grant from the Burning Man Festival. He has performed in venues from Mexico and the United States like the Julian Carrillo Concert Hall from Radio UNAM, Estudio A at The Mexican Radio Institute (IMER), Zebulon Café, The Troubadour, Auditorio Blas Galindo, el Teatro de la Ciudad Esperanza Iris and TV Shows such as “Calle 11” from Canal Once and “La hora elástica” from TV UNAM.


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Yvette Cornelia Holzwarth (Violin)

Yvette Cornelia Holzwarth is a violinist, vocalist, and composer based in Los Angeles. Her diverse musical interests expand beyond her classical background to include Eastern European folk, Arabic, Americana, experimental contemporary music, improvisation, and songwriting.

As a violinist, Yvette has enjoyed working with many independent artists— including Kamasi Washington, Van Dyke Parks, Gaby Moreno, among many others. She performs regularly in Eastern Europe as part of a duo with guitarist Miroslav Tadić. She records on numerous scores for film and TV, including solo viola work on Season 2 of “Patriot” (Netflix).

As a songwriter, Yvette releases original music under the moniker Yvette Cornelia. Her debut EP “Open It Up” (2013) was recently followed up by a full-length album “What Lies Ahead” (2019). This latest album features her 9-piece ensemble.

Read more at yvettecornelia.com


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Patrick Behnke (Viola)

Patrick Behnke is a viola player, composer, improviser, and multi-media artist. Patrick’s work focuses on how relationships between a community of musicians and their environment cultivate varying points of view regarding a musical event.

Born in San Bernardino, California, raised in the metropolitan Detroit, Michigan area, and currently living near Los Angeles, Patrick performs as a member of the performer-composer ensemble the Desert Quill Quartet, the Matsumoto/Behnke duo, the Apt Heavens Duo and the improvising trio In Transit. Patrick has appeared regularly as an improvising violist and electronic artist at venues in Los Angeles (Coaxial, The Mortuary) and Detroit (Trinosophes, SpreadArt), as well as performing at venues across the U.S. and Canada. His compositions have been performed by the Contemporary Choral Collective of Los Angeles (C3LA), the Seattle Metropolitan Chamber Orchestra, and ensembles in which he takes part. Patrick’s musical involvement includes a range of styles and interests from Appalachian and Scottish fiddling to digital media, tuning systems and overtones, and free improvisation collaborations.


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Ben Finley (Double Bass)

Ben Finley plays the bass, composes, and writes. He received his Masters in the Performer-Composer program at the California Institute of the Arts. Ben’s primary compositional focus is developing an intimate relationship between literary forms within a chamber music setting and utilizing improvisation while affording meaning and philosophical insight. Ben is also interested in the lifetime pursuit of the art of bass playing. He is involved with a multitude of projects in Toronto and Los Angeles and is currently working on two new upcoming album releases of original works: an affected electric bass and voice duo and an interdisciplinary avant garde chamber music collective.